On the other hand, this shift has sparked a debate about quality and authenticity. Filmmakers now complain that platforms are doubling down on "authorized celebrity content"—well-meaning but ultimately unrigorous fan worship that lacks journalistic depth. The emphasis on marketability over depth has led some to argue that streaming has "ruined" documentaries, eroding the genre's prestige even as it becomes more popular. A prime example is on Netflix, which critics slammed for feeling less like a documentary and more like a corporate tribute video, shaped heavily by its subject's narrative control. The race for volume has also led to rushed productions, where short timelines prevent deep analysis, leading to unsatisfying and shallow final products.
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The shift began in the late 20th century with the rise of the "making-of" documentary, most notably exemplified by Hearts of Darkness: A Filmmaker's Apocalypse (1991). Chronicling the chaotic production of Apocalypse Now , it set a new precedent: the story behind the camera could be just as compelling, and perhaps more harrowing, than the story in front of it. On the other hand, this shift has sparked
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