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The Gulf migration of Keralites since the 1970s has reshaped the state’s economy and family structures. Contemporary Malayalam cinema has become the primary artistic medium for narrating this diasporic identity. Films like Maheshinte Prathikaaram (2016) and Sudani from Nigeria (2018) negotiate the tension between local, rooted Keralite identity and the influx of global capital and foreign bodies (literal and metaphorical).