Ratatouille.2007 [upd] Jun 2026

: The film's most sophisticated argument is about the purpose of criticism. In his climactic review, Anton Ego writes, "In many ways, the work of a critic is easy... it is the new creation that is dangerous." The film suggests that the act of creation is more valuable and courageous than the act of criticism, though it also acknowledges that a critic—when touched by genuine greatness—can become a champion of the art they once dismissed. The New York Times praised the film for delivering "the most persuasive portraits of an artist ever committed to film".

Ratatouille (2007) remains a timeless masterpiece that reminds audiences that excellence can come from the most unexpected places. ratatouille.2007

The character of Auguste Gusteau was partly inspired by late celebrity chef Bernard Loiseau : The film's most sophisticated argument is about

, a clumsy garbage boy with no culinary talent. Together, they develop a unique partnership: Remy hides under Linguini’s toque and controls his movements like a marionette by pulling his hair, allowing them to cook world-class dishes together. Their success draws the suspicion of the tyrannical Chef Skinner and the attention of The New York Times praised the film for

. Unlike other rats, Remy refuses to eat garbage, inspired by his idol, the late legendary chef Auguste Gusteau , and his motto: "Anyone can cook".