Critics called it a hollow spectacle. Fans called it therapy. In truth, Tango and Whistler had tapped into something primal. They weren’t performing entertainment; they were performing relationship . In an era of algorithmic loneliness, here was a horse who needed a dog to tell him when to run, and a dog who needed a horse to tell him when to stop.
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Mass entertainment exploits this horse–dog axis to maximize demographic reach : Critics called it a hollow spectacle